On Waiting For A Dancer, fingerstylist Adrian Legg takes full advantage of the electric/acoustic qualities of his Ovation guitar ("Son Of Kiss Curl" is electric) on eleven instrumentals that will amaze, delight and confound the senses. Legg uses a right-hand banjo roll to obtain a kind of tremelo effect on songs such as "Carolina Sunday Waltz" and plays his melodies over the top, for stunning results. Literally, you hear notes coming at you from every direction - Waiting For A Dancer is a real sonic treat. Legg offers more examples of his knuckle-busting dexterity and Pentium-speed runs in tunes such as "Ragged Nail" and "Widdershins" (which ends with a slurred section and a graceful, slow glissando). For another fine example of Legg's technical mastery of the acoustic guitar, revisit the songs on Waiting For A Dancer.
| 1 | Ragged Nail Instrumental Guitar | 3:37 |
| 2 | L'amour Manqué Instrumental Guitar | 5:02 |
| 3 | Bayou Belles Instrumental Guitar | 3:58 |
| 4 | Son Of Kiss Curl Instrumental Guitar | 3:48 |
| 5 | Kalahari Blues Instrumental Guitar | 5:43 |
| 6 | New Bourgeoisie Instrumental Guitar | 4:02 |
| 7 | Widdershins Instrumental Guitar | 2:04 |
| 8 | Cuckoo Shuffle Instrumental Guitar | 3:17 |
| 9 | Carolina Sunday Waltz Instrumental Guitar | 5:29 |
| 10 | Designer Guitar Instrumental Guitar | 3:11 |
| 11 | Waiting For A Dancer Instrumental Guitar | 4:13 |
