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Guest Columnists

About Playing Live...

Music industry guru Christopher Knab offers concrete information on booking contracts with venues.

Local shows will likely be your first "major" source of income. Expenses involved in local/regional shows will be limited to gas and maybe per diems. To get booked at a local or regional club, you will not need the services of a booking agent, instead you will be able to do it yourselves. All you need is a complete and updated press kit, lots of persistence, and the ability and confidence to play a 45-60 minute set.

Once you've selected local and regional clubs you want to perform at, send the venue your complete press kit and follow up with a phone call within 5 to 7 working days. The club will then tell you whether they're interested in booking you for a show or not. If they are, it will be your turn to tell the venue how much money you want for your performance. Once you've negotiated a deal you will have to gather all the pertinent information and set up a contract. (Note that after you've played a club for a couple of times and established a working relationship, the venue might not insist on a written contract anymore.) Nevertheless, getting things is writing is a very good habit to get into.

Here's a list of issues you will have to address and specify in a contract:

"Purchaser" or "Buyer" (Name of the Club Promoter)

"Artist"

"Deal" - The deal you accepted and the amount of money you will get paid.

The four most common deals you will encounter:

1) Flat or Guarantee Ex.: $ 300

2) Versus Ex.: $ 300 versus 30% door, whatever's higher.

3) Plus Ex.: $ 300 plus 30% door

4) Points/Split Ex.: 50/30/20 of Net

You also need to address:

  • Date of Event
  • Set Length
  • Deposit (if any)
  • Who will pay to whom how much and when
  • Admission Fee (Ticket Price)
  • Capacity
  • Act of Nature (Force Majeure). The force majeure (literally "superior force") clause is applied when there is an unexpected event that causes performance of the contract to become impossible; it releases one or both parties from their rights and obligations.
  • Cancellation Fees
  • Recording by Permission Only
  • Promotional Commitment (This specifies the minimum amount of money you, the band, expect the club to invest in advertising the show.)
  • Merchandise: How much the club will take from the gross of merchandise sold (usually 10%)

For information about playing live and other music business topics, please visit FourFront Media & Music.

The writer
Christopher Knab

Christopher Knab

Throughout his fprty year career in the music business, FourFront Media & Music's Christopher Knab has shared his experience at many industry conventions and conferences, including the New Music Seminar and the Northwest Area Music Business Conference.

Knab was owner of a San Francisco music store, co-owner of the 415 Records label, and station manager at KCMU Radio in Seattle.

He currently provides a unique consultation and education service for independent musicians and record labels. His new book is entitled "Music Is Your Business".

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