← All back issues
Vol. 5, No. 3: October-November 2000

Guitar Nine Rocks Guitar World Magazine

Brian Stillman's "Surf City" Column Profiles Site
October-November 2000 ยท October 2000

Welcome to the October edition of the Guitar Nine on-line magazine. Of special note, Guitar Nine is featured in the November issue of Guitar World magazine -- Brian Stillman's 'Surf City' column on music web sites covers the Guitar Nine site exclusively. New releases are coming in fast -- we've added 34 CDs to the site, including instrumental works by Handz Of Danz, Mike Campese, Brand X, Scott Christensen, Sterling Koch, Pat Thomi, Carpathia Project, Twin Lines Project, Bozzio/Levin/Stevens,Trance Lucid, PapaMichael, Marcos De Ros, Steve Stevens, Mario Otero, Stuart Hamm, Michael Schenker, Frank Wallace, Matthew Kennedy, Dave Atherton, Mike Valeras Group, Matt Masotti, Tony Palkovic, Johnson/Romero, Frankenshred, The Zone, Torben Enevoldsen, Deric Rush Band, David Sinclair, Michael Nicolella, Rolf Munkes, Brad Gillis, Blues Saraceno, Randy Coven and Borislav Mitic. You can now listen to and order 530 instrumental releases by 325 different artists. Visit the Instrumental Guitar Showcase to browse and listen to all of these dynamic recordings, or check out our recommendations page. If you've released an instrumental project, get all the details about merchandising through Guitar Nine, and decide if it's right for your music (if you've released a guitar-oriented CD with vocals, click here).

In this issue

23 columns
Guitar Nine Speaks!
Dan McAvinchey

The "Million Dollar" Question

Dan McAvinchey

The talented artists associated with Guitar Nine respond to the challenge: Put a million bucks to the best musical use.

Guest Columnists
Steve Booke

The Advantages Of Being A (Recording) Slut

Steve Booke

Acoustic, electric, if it's got six, Steve Booke plays 'em. He's here to reveal the essence of recording legacy.

Guest Columnists
Mike Campese

Arpeggios Nine

Mike Campese

The official arpeggios of Guitar Nine Records - always play the 9th. Take it away Mike.

Guest Columnists
Greigg Fraser

Circle Picking

Greigg Fraser

A simple technique that will have you breaking speed records even after the Olympics.

Guest Columnists
Will Landrum

Equipment And Performance

Will Landrum

Will returns to discuss the relationship all guitarists must develop with their tools of choice.

Guest Columnists
Neil Haverstick

Freelancing: How To Survive In The New Millennium By Playing Your Guitar, Part 2

Neil Haverstick

Neil Haverstick has made his living with his instrument for over 20 years - even more tips from a seasoned veteran.

Interviews

Interview: Andy Aledort

Joe Matera

Transcribing is difficult work that takes a lot of concentration--I usually use headphones and I use a switching box which allows me to hear the right or left channel only through both sides of the headphones. This helps when trying to zero in on a particular guitar part. A thorough knowledge of music notation is mandatory also.

Interviews

Interview: Ann Klein

Dan McAvinchey

I think the stylistic variety comes from the fact that I love so many different kinds of music and I've played with a lot of different kinds of artists. I've played with a salsa band, a blues band, numerous pop bands, and an avant-garde jammy classical-jazz band.

Interviews

Interview: Synesthesia

Dan McAvinchey

All Latin or world music requires a very strong groove even if it is slow. That was a challenge since I am coming from a rock/fusion area. It helped my playing that way. Also when it came to soloing, I could not rely on my legato technique as much since it would not come out as well. Thus I worked on my alternate picking for a few months before the recording.

Interviews

Interview: Torben Enevoldsen

Dan McAvinchey

I wanted to record this album as a band. The intensity and energy you get from recording as a band is far superior than to that of using hired guns. Being very influenced by bands like Dream Theater, Symphony X etc., I wanted the new material to be more aggressive and somewhat progressive, however still keeping everything very melodic.

Guest Columnists
Christopher Knab

Music, Business, and Technology: Adapt or Die

Christopher Knab

Music industry guru Christopher Knab is back to stress the ever changing nature of this business of music.

The Undiscovered

The Undiscovered: Adam Delacour

Guitar Nine

English Guitarist Looks For Record Company Interest

The Undiscovered

The Undiscovered: Black Shadows

Guitar Nine

Blues Surf/Rock Trio

The Undiscovered

The Undiscovered: Chris Bergson

Guitar Nine

Jazz Guitarist Releases Second CD

The Undiscovered

The Undiscovered: Craig Mauro

Guitar Nine

Spacey Jam Rock

The Undiscovered

The Undiscovered: Erix Pizano

Guitar Nine

Telling His Life's Story With The Guitar

The Undiscovered

The Undiscovered: Forrest Kyle

Guitar Nine

Fiery Instrumental Rock Fueled By Latin Beats

The Undiscovered

The Undiscovered: Gehelio Non-Centric

Guitar Nine

Textural Guitar Backs Dramatic Vocals

The Undiscovered

The Undiscovered: Jere Haakana

Guitar Nine

17 Year Old Finnish Dude Does The Demo Deal

The Undiscovered

The Undiscovered: Lyall Steel

Guitar Nine

An Acoustically Brilliant New Beginning

The Undiscovered

The Undiscovered: Mike Valeras Group

Guitar Nine

Vibrant, Creative, Thinking Man's Fusion

The Undiscovered

The Undiscovered: Steve Pierson

Guitar Nine

Searing, Yet Soulful Blues

The Undiscovered

The Undiscovered: Tom Dionne

Guitar Nine

Pure Solo Fingerstyle Guitar

Also carried

First ran elsewhere
← The one before August-September 2000