Randy Allar

Interviews

• Interview: Steve Stevens

  Actually I started playing flamenco before playing electric guitar. It's always been a love of mine. Unfortunately, when you're doing pop records, I'd bring it out. The response I'd get is, 'Save it for your own record.' So I have my own flamenco record which came out a couple of months ago.
  February-March 2001
• Interview: Garsed/Helmerich

  We're definitely going to do another album this year. We've got a couple of concepts we're throwing around. It will be an instrumental album. We're ready to do that again ourselves. Like I said, we're extremely proud of "Under The Lash Of Gravity" and we're doing everything we can to get it out there. Initially, instrumental guitar fans didn't buy it. But if they give it a chance, it does grow on you.
  August-September 2000
• Interview: Scott Henderson

  I love it at home, but you can't play here. You can't play in L.A. every night. We're lucky to play once a week here. It's just the nature of being a musician. People won't pay to see you every single week. You have to travel and change your audience to be able to play every night.
  June-July 2000
• Interview: Ronnie Montrose

  Well, there really isn't that big a demand for that kind of music that I write and play over the radio. So what I've been able to do by doing my own records and doing my own website is basically ignore the record company thing where the whole machinery has to be in place for airplay, promotions and tours. Now I can make the music I want to make, and so far so good.
  April-May 2000
• Interview: Vinnie Moore

  You know, the early rock bands that I was into, like Deep Purple and Queen were very guitar oriented bands. I just wanted to start playing, so I got a guitar one year for Christmas. I had no interest in the guitar on Christmas day, I played more with the box. It grew on me and I got real serious after a couple of years.
  December-January 1999
• Interview: Steve Vai

  Favored Nations is my new independent record company. It's something I knew I was going to do. I knew I was destined to do a record company eventually. It's a great concept and I found a great partner, Ray Sheer. We had similar concepts on how we would like to construct a label. I've been in the business for a long time, and I understand the infrastructure of how a label works and how they promote and market. So we put together this concept, sort of a musicians label.
  December-January 1999
• Interview: Steve Vai

  Back when I got my hands on my first multi-track recorder, I was fascinated with overdubbing, piling things on top of things, and recording anyone that came in my grip. I recorded hundreds of hours of stuff. Then I released the record 'Flexible,' my first solo record.
  December-January 1999
• Interview: Joe Satriani

  G3 is definitely here to stay. People may or may not know, the concept that we came up with a number of years ago was to be able to bring guitarists together that usually spend most of their time trying to stay apart. Managers and record companies are always trying to keep people separate. So we came up with the idea of bringing people together.
  December-January 1999
• Interview: Jaye Foucher

  I have an easier time over in Europe than I do here. I live in the Boston area, and Boston being a college town really wants alternative music. So I have a difficult time getting shows and drawing a huge crowd around here. I find it kind of weird. Thankfully that is not the only thing that I have to go on.
  December-January 1999
• Interview: Gary Hoey

  A studio CD is hard work, because you spend months and do all this painstaking work in the studio and nit pick everything and make it right and mix it. I think that's a bigger labor, but I think a live CD is a scary thing because you're getting up there and playing live. There is nothing to hide behind. There's no overdubs, and you have to live with what you did or don't put it out.
  December-January 1999
• Interview: Gregg Bissonette

  Well, I'm 38 and I started when I was ten. I probably started younger, like when I was about eight, so when you think about it, I've been playing for 30 years. I should be a lot better then I am (laughs).
  December-January 1999
• Interview: Jennifer Batten

  When we were working the tunes, none of us had any idea how long they were. It's just these were our little babies we're producing. It seemed that they needed all the parts we had. Looking back, there's maybe two sections on the whole record I would cut. We hacked up a couple cuts for radio play, hacked them from eight minutes to five.
  December-January 1999
• Interview: Dan McAvinchey

  As far as instrumental goes, when you can't sing yourself, you tend to write without a vocal part in mind. If you could add vocals to it, that would be one thing, but I decided that I would like the guitar to shine through on what I was doing. So I decided to make the project instrumental.
  December-January 1998