Guitar Nine Columns

Displaying 337 - 378 of 4217

Enjoy over 25 years of staff columns, guest columns, interviews and more!

October-November 1996
Guitar Nine

Session Guitarist Ready To Broaden His Appeal

December-January 1996
Guitar Nine

Three Musicians Become One, United!

February-March 1997
Guitar Nine

Serving Up Dessert For Your Ears

August-September 1997
Guitar Nine

Swedish Instrumentalist Does It On His Own

August-September 1997
Guitar Nine

Inspiring Others to Find the Inspiration in Themselves

August-September 1997
Guitar Nine

Balancing Technique And Melody... From Italy

October-November 1997
Guitar Nine

Adrenaline-Pumping, Cinematic Heavy Rock

October-November 1997
Guitar Nine

Stepping Outside Contemporary Fusion

October-November 1997
Guitar Nine

Folk And Rock 'N' Roll With A Country Flavor

October-November 1997
Guitar Nine

Mixing Luxurious Soundscapes With Rock/Blues Guitar

June-July 1996
Guitar Nine

What we are all about and why you care.

June-July 1996
Guitar Nine

Share your knowledge of the guitar and music with the rest of the world.

April-May 1997
Guitar Nine

Official press release for Dan McAvinchey's "Guitar Haus" CD.

October-November 1996
Guitar Nine

E-mail comments, testimonials, kudos, feedback and other observations from around the world.

June-July 1996
Guitar Nine

Write-ups from artsts who have demonstrated a great appreciation for the guitar, and who strive to show what can be done with a guitar in the hands of a creative artist.

December-January 1997
Guitar Haus

If you're a typical musician, you lack one or both of these critical qualities. Let's see how important they are to your success.

December-January 1997
Sean T. Gill

If you`ve got the urge to explore jazz after a background in rock, you`ll need to understand the differences between the two styles. Guitarist Sean Gill gives you the keys to unlock the door to jazz.

December-January 1997
Rusty Cooley

Houston guitarist Rusty Cooley figures that with ten fingers, there`s got to be times when you can use over half of them to express your ideas.

December-January 1997
Guitar Haus

I`d really like to develop into a good composer. I`m not a Greg Howe or an Allan Holdsworth when it comes to soloing, so I have no choice but to work on developing my compositional skills so that people will have a reason to listen! To me, the ideal is someone like Scott Henderson, or Shawn Lane, who are not only amazing players, but equally strong, if not better, composers. That`s the pinnacle, to me.

December-January 2002
Guitar Nine

Read about the history of instrumental guitar, and learn about the passion fans feel for their sub-genre of choice.

December-January 1997
Guitar Nine

Multi-Instrumentalist Tracks Cool, Contemporary Jazz

December-January 1997
Guitar Nine

Summoning The Ghosts Of Pop, Folk & Rock

December-January 1997
Guitar Nine

One Of Those (Guitar) Guys

December-January 1997
Guitar Nine

Energetic, Unpredictable Fingerstyle Guitar

December-January 1997
Guitar Nine

Instrumental Guitarist Challenges The Musical Trends Of Today

December-January 1997
Guitar Nine

Alternative Acoustic With A Pure, Emotional Edginess

December-January 1997
Guitar Nine

Rock Guitar Virtuoso Plans New CD

December-January 1997
Guitar Nine

Guitarist/Songwriter Works Studio Magic Close To Home

February-March 1998
Guitar Haus

Is it really true? Will you get 30,000,000 music fans checking out your music just by creating a web page? Let's separate the hype from the reality.

February-March 1998
David Knopfler

British guitarist David Knopfler has a few words to say about the separate lead guitarist vs. rhythm guitarist identities.

February-March 1998
Guitar Haus

I can`t ever remember deciding to release a CD, it`s just something I always dreamed of. I think every musician would like to, deep down. I did it for myself, and I suggest others do the same. Don`t put out your first CD and expect to get rich, because it just doesn`t happen that way.

February-March 1998
Guitar Nine

A True Journeyman Guitarist, Vocalist And Producer

February-March 1998
Guitar Nine

Explosive, Contemporary Jazz With A World Feel

February-March 1998
Guitar Nine

Explosive, Contemporary Jazz With A World Feel

February-March 1998
Guitar Nine

More Rock 'N Roll Fun Than Ought To Be Legal

February-March 1998
Guitar Nine

Instrumental Guitarist Stresses Music Over Flash

February-March 1998
Guitar Nine

Melodic, Hard Rock Instrumentalist From Down Under

February-March 1998
Guitar Nine

Instrumental Electro-Acoustic Guitar Music

February-March 1998
Guitar Haus

Be prepared do a lot of work promoting and marketing. I strongly suggest people make a plan detailing how they will be selling and marketing their record. Rather than trying to sell one CD at a time, shop it for licensing and other types of deals, since ultimately, that is where a large number of sales will come from.

April-May 1998
David Knopfler

British guitarist David Knopfler recalls the days when the Stratocaster was held in esteem as the instrument of choice--if you could afford one, that is. A tale of how dreams can come true, and how old feelings never quite die.

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